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FILM PROGRAMME

25 - 29 April 2024: Open City Documentary Festival


Open City Documentary Festival returns for its 14th year with the aim to challenge and expand the idea of documentary in all its forms. The festival consists of international contemporary and retrospective non-fiction film, audio and cross media, as well as filmmaker Q&As, exhibitions, panels and workshops.
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What's On

Thu 25 April, 8.30pm:  Losing Ground + GAMA

Thu 25 April, 8.30pm: Losing Ground + GAMA

Followed by Q&A with Kaori Oda
Fri 26 April, 6.15pm: Absent Forces: The Politics of the Eerie in English Rural Moving Image

Fri 26 April, 6.15pm: Absent Forces: The Politics of the Eerie in English Rural Moving Image

Drawing upon Mark Fisher’s theorisation of the eerie as the sensation of absence, of either a presence or an absence, these works activate the dissonance between our imagined notion of the countryside and the political realities of this landscape.
Fri 26 April, 8.30pm: The Soldier’s Lagoon

Fri 26 April, 8.30pm: The Soldier’s Lagoon

The Soldier’s Lagoon (La Laguna del Soldado) is the second part in Pablo Álvarez-Mesa’s trilogy of films retracing Simón Bolívar’s passage during the Liberation Campaign of Colombia in 1819. Followed by Q&A with Pablo Álvarez-Mesa
Sat 27 April, 2pm: The Diagonal Force

Sat 27 April, 2pm: The Diagonal Force

Drawing from the writings and ideas of political philosopher Hannah Arendt, and particularly her focus on the human capacity to introduce something new into the world we share, Annik Leroy and Julie Morel travel across Europe, filming portraits of people and landscapes, gathering accounts of traumatic experiences that had been life-changing and transformative.
Sat 27 April, 6pm: In Focus: Simon Liu 2: Life as Usual

Sat 27 April, 6pm: In Focus: Simon Liu 2: Life as Usual

Curated by Simon Liu and featuring seven short films by Hong Kong artists spanning the last 45 years, Life as Usual surveys the often surreal and uncanny underbelly of life in the metropolis through gestures of disobedience, imaginary landscapes, and desires for an alternative future.
Sat 27 April, 8.30pm: The Sojourn + A Stone’s Throw

Sat 27 April, 8.30pm: The Sojourn + A Stone’s Throw

The Sojourn imagines a restless landscape film in Taiwan. Visiting scenic locations shot by King Hu, the short experiments with the road movie genre and its intersection with the martial arts epic. / A Stone’s Throw: Amine, a twice-exiled Palestinian elder, becomes a figure around whom AlSalah unravels the recurring violence of oil and labour extraction.
Sun 28 April, 3pm: Becoming Landscape

Sun 28 April, 3pm: Becoming Landscape

Followed by Q&A with the filmmakers
Sun 28 April, 8.30pm: Grandma’s Grammar: Time Machines

Sun 28 April, 8.30pm: Grandma’s Grammar: Time Machines

Like Chantal Akerman (D’Est) and Barbara Hammer (My Babushka: Searching Ukrainian Identities) Naomi Uman was drawn to return to the Eastern Europe of her great grandparents, in an act of reverse pilgrimage. Introduced by Elena Gorfinkel

In May

3 - 10 May 2024: Decision to Leave

3 - 10 May 2024: Decision to Leave

With nods toward classic Hollywood and Hitchcock’s Vertigo, Decision to Leave is an essential masterwork from the legendary Park Chan-wook, infused with elegance, ingenuity and a razor-sharp precision.
4 - 12 May 2024: The Battle of Algiers

4 - 12 May 2024: The Battle of Algiers

One of the most influential political films in history, The Battle of Algiers, by Gillo Pontecorvo, vividly re-creates a key year in the tumultuous Algerian struggle for independence from the occupying French in the 1950s.
4 - 18 May 2024: Evil Does Not Exist

4 - 18 May 2024: Evil Does Not Exist

Urban ambitions clash with nature in a quiet village near Tokyo in this eco-fable from the director Ryûsuke Hamaguchi.
5 - 19 May 2024: Close-Up on Maya Deren

5 - 19 May 2024: Close-Up on Maya Deren

“I make my pictures for what Hollywood spends on lipstick”. We're thrilled to present 8 films by one of the most influential figures in American avant-garde cinema, Maya Deren
25 May 2024: The Lock-In introduced by Stanley Schtinter

25 May 2024: The Lock-In introduced by Stanley Schtinter

The Lock-In never ends. Consisting entirely of pub footage from the British soap opera EastEnders, it is endless inasmuch as its source is endless and its makers living.